Lista de Personas Famosas llamadas Master
Master of the Harvard Hannibal
Master of the Dielegem Abbey
Maestro de la Lamentación Lindau
Master of the Breviary of Jean sans Peur
Maestro de 1518
Maestro de 1518 es la denominación convencional dada en 1915 por Max Friedländer al pintor del Retablo de la vida de la Virgen de la Iglesia de santa María de Lübeck (Alemania), fechado en su parte escultórica en 1518, cuyas pinturas remiten estilísticamente a los tipos del manierismo de Amberes. Por motivos estilísticos se le han atribuido un numeroso grupo de pinturas anónimas y ha sido identificado por Georges Marlier con Jan van Dornicke, también llamado Jan Mertens el Joven, y por Lorne Campbell con el llamado Maestro de la Abadía de Dileghem. Sus pinturas son principalmente representaciones de escenas religiosas llenas de personajes, que combinan los estilos gótico y renacentista. Asimismo, incorporó a sus pinturas con frecuencia ropas muy elaboradas y ruinas arquitectónicas.
Master of Jean Rolin II
The Master of Jean Rolin II, also known as Rolin Master and Missel de Jean Rolin, was an anonymous artist who worked in Paris as a book illuminator for wealthy people including members of the court of Charles VII. The name comes from the work he did for Jean Rolin II, who was the cardinal-bishop of Autun. His work is part of the increase in specialized book production seen in Paris as a response to the growing commissions from lay people and the University of Paris. From 1445 to 1465 he worked in Paris together with other anonymous artists on books that included the Book of Hours of Simon de Varie. Spencer published an account of his style in 1963.
Maestro del Cardinal de Borbón
Maestro de Geschiedenis van Jozef
The Master of Affligem or Master of the Joseph Sequence was an accomplished painter of the South Netherlandish school, apparently working in Brussels, whose name is not known, but whose hand can be detected in a number of surviving paintings on panel. The pseudonym Master of the Joseph Sequence was given him as a name of convenience in 1923 by Walter Friedländer, who identified a series of tondi illustrating the Legend of St Joseph, which had become scattered among several museums, as all coming from the same painter. Subsequently Friedländer attributed to the same workshop eight further panels with scenes from two other sequences, the Life of Christ and the Life of the Virgin These came from the abbey of Affligem in Brabant, providing the alternate name for the artist.
Maestro de la Santa Sangre
Master of the Holy Blood was an Early Netherlandish painter.